Ways Into Abstraction, Building Your Visual Language (Online Workshop) Summer 2024 w/ Inga Dalrymple
June 7 to June 21 (Fridays), 6:00 PM to 9:00 PM, Eastern Time
**All sessions are live and will be recorded, students do not have to be present. All recordings will be available to students for 3 months after the final session, after 3 months the recording will be deleted.
Please check your email spam/junk folder for your Zoom invite.
DEMO: https://www.youtube.com/watch?v=p_LMBG3nWic
Workshop Description
This workshop is for anyone who wishes to explore ways to build on their visual language to create dynamic abstract works on paper. We will explore the elements of abstraction by referring to selected works by well known modern and contemporary artists. You will learn techniques that help you to start and sustain a satisfying composition using the key elements of abstraction.
Workshop Outline
Week 1 -
Introductions, looking at a selection of abstract artists and insights into process, elements of abstraction (slide show), sharing favourite works with each other - demo of a simple abstraction techniques with a focus on intuition and experimentation. Homework -create a piece using the ideas discussed
Week 2 -
Share works, recap elements of abstraction, demo of technique, homework - create a piece using the ideas discussed
Week 3 -
As above, feedback around what students will use in their practice, overcoming challenges and creative blocks, moving forward with a set of tips to enhance your creative practice
Workshop Materials List
This is a workshop that builds on each artist’s intuition and willingness to experiment, therefore students
should come with materials they feel most comfortable with.
Suggested materials are:
Charcoal - preferably soft rather than compressed
Pastels (chalk and oil) - black is essential but other colours will also be very handy
Coloured pencils, lead pencils etc
Texta colours
Acrylic paint / or oil paint
Suggested supports:
Canvas paper of various sizes (if you plan to use oil based materials)
Heavy weight paper that will take paint without too much buckling, eg Strathmore mixed media
Sketchbooks of various sizes
Lots of spare paper of various quality - can be off cuts from older work or from other material like
magazines or old books
Tools:
eraser
Paintbrushes of various sizes
Knife and/or scissors for collaging
Simple cardboard frames for selecting compositions
small mirror (optional)